“Loneliness is like sitting in an empty room and being aware of the space around you. It is a condition of separateness. Solitude is becoming one with the space around you. It is a condition of union. Loneliness is small, solitude is large. Loneliness closes around you; solitude expands toward the infinite. Loneliness has its roots in words, in an internal conversation that nobody answers; solitude has its roots in the great silence of eternity”
-Quote by Kent Nerburn, which I found posted by @northernproject on Instagram several months ago.
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One thing I have written a few times in my list of goals is “work larger” or on a bigger scale.
This fall, I returned to something I tried back in 2012, working with acrylic paint on wood panels. I also tried to scale things up a bit. I created two larger paintings this fall: Nizina River Habitat, (which was then purchased by the Alaska Contemporary Art Bank) and K’esugi Ridge (which I just finished and is available).
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Like the engineers of the pre-digital age, I was also looking for a low-cost and relatively simple way to reproduce my drawings. I like the idea of blueprints because they still feel handmade and I can use the outside environment (sun and water) to make them. I’ve written several posts about how I started experimenting with cyanotypes during an artist residency with Joshua Tree National Park. In this post I wanted to focus more on the process I’ve been using.
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I completed a double major in studio art and environmental studies with a focus in conservation biology in 2008, and decided to do my thesis in art. We could choose if we wanted to do a thesis or not and I was really looking forward to having my own studio and basically getting to do whatever I wanted with artwork for an entire year. That seemed like a lot of fun, and sure it was, but I think it was also one of my hardest classes ever.
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As an artist it feels like table space is prime real estate, as I never have enough space to lay out supplies and work. It was a big step for us to get a new dining room table last week. We moved into the new cabin after Thanksgiving and now we have space for furniture. Actually it is still quite a work in progress but we are moving that direction. When we finish putting the tongue and groove up in the ceiling we can move the bed and will have even more space. Last year we lived in a 16' yurt and much of our activity centered around a little 2x2' camp table that we bought at REI for a rafting trip. Whenever I wanted to draw, I cleaned off the table and set up shop. One of the reasons why I've been working in my sketchbooks is because they are small and portable, and I've been limited by space. By next summer I am going to turn the yurt into a dedicated studio, but right now it is a transition zone, though it does have more table space.
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